Regency Riding habit – Photoshoot

Once finished I asked my sisters to help me with some photos of my new regency outfit.

The day was nice with a clear spring sun, but a bit windy and chilly, so we where all pretty cold by the time we where done.

I’m wearing my new Spencer, riding bonnet, my white regency ball gown, long stays, petticoat, low boots and some accessories like gloves, a fichu and a shawl.

Inspiration

Photo: Elin Evaldsdotter

Regency Headwear – Riding bonnet/helmet/?

While working on my recently finished Regency spencer, I also decided I (of course) needed the headdress the lady in my inspirational picture is wearing.

Looking pretty awesome, right?

Starting with a modern wool hat I got on sale from one of the leading fashion stores, I begun my hat making adventure.


Before

I stated by removing the inner stay band and completely soaking the hat in hot water.

Then I used force and even more hot water to shape it in a somewhat oblong shape. In short supply of proper hat making equipment you got to use what you got…

When dry the hat had a rough but much better shape then before. The brown ribbon is pinned on, to hold the brim in while the hat dried.

The shape after the first round.

Once dry, it was time to cut the shape of the bonnet. Roughly drawn markings on where to cut the brim down.

Looks pretty decent, but the brim was still to wavy to work.

So I got to work steaming the brim and shaping it using my hands and a plastic bowl

Much better.

Then I re-stitched the inside stay-ribbon

using orange thread – ops…

Lastly I added some bias cut scraps of the spencers red wool to make the bonnet look even more like the inspiration.

I also remembered (even though it really was in the nick of time) to add some millinery wire to the brim to help it keep its shape. I finished the hole thing of by adding a woolen chokade and a cotton neck tie.

The finished bonnet:

Complete outfit

The facts:

What: a 1805s riding bonnet

Pattern: None,just a re-shaped and cut hat.

Fabric & notions: 1 black wool hat, thread, scraps of red wool and black cotton, 20 cm millinery wire, 1 hook & eye and one gold button.

Time & cost: Not including the time it took to dry, I’d say about 3-4 hours. The only thing I bought anew was ten hat and it cost 35 Sek (3 Usd), the rest is scraps.

Final thoughts: I’m really happy of how it came out, and I think I looks smashing. But I must admit it looks a bit like a combination of a riding helmet and a truckers hat 🙂

A long awaited Spencer Jacket (HSM 3/2017)

I finally did it, the one thing I’ve been talking (and thinking about) for about 4 years.

I made a Regency Spencer!

Yay!

I’ve been wanting one since I first got into this hobby.
Doing the occasional regency dance recital in our often les then agreeable Swedish climate (I’m thinking of you – dance recital oct 2013), I felt I really needed someting more then a shawl and mittens to keep the cold of my back between shows.

So in planing this years HSM I (as usual) added the wish to maybe this year would be the year when I finally made that jacket. Not getting any big hopes up, what with a baby, starting work again, and another big costume all wanting my attention.

inspiration

But somehow I managed to get inspired, and to whip it out in between baby’s naps and other projects costume fittings.

I started by trying to decide which of my two Spencer patterns to use. Full of indecision I actually patterned and made mock-ups of them both.
Laughing Moon 129 “Wrap front Spencer”
 
I like the fit, and I LOVE the back peplum, and it was fairly easy to get together.

Period Impression 461 “1809 Spencer jacket”
I like the fit of the bodice, even though it felt a bit long and the peplum in the back was so wide it kind of got lost. Something that would be easily fixed, and I do love the way the waistband goes cross the sides and fasten on to the back piece.
I’ve also heard a lot (and not the good stuff) about the sleeves on this pattern, so I decided to try 2 different styles. The left sleeve is the original, which was bulky at the top, narrow at the wrist and twisted along the arm. For the left sleeve on my mock-up I used the previous patterned “Laughing moon” sleeve, which surprisingly fitted both my arm and the sleeve-cap much better.

After some debating back and forth my boyfriend decided for me, and I went with the “Laughing moon” style, with the fold down collar and the nice sleeves.

Then I busted my stash and found a lovely burgundy colored wool I bought for a Regency gentlemen tailcoat a few years back. I figured I could always get more fabric if I ever felt the need to make that (like that’s ever going to happen…).

Not sure if it was the reference image that inspired me or not (probably), but I also decided to make the collar and cuffs out of some black wool I got a whole bolt of in my stash.

So as usual, I cut the fabric, pinned and stitched the main pieces together. bodice stitched together.

I made the sleeves

end stitched, cut, turned and attached the collar.I haven’t padstiched anything since fashion school, and it felt great doing it again.

I inserted the lining, and clipped and turned the bodice.

Then I tried it on.  Sorry for the pore quality mirror selfies

That’s when I realized something was of with the collar.
 Jupp, thats my boobs, and a VERY un-evenly attached collar

After some carefully re-measuring I discovered I’d stitched it on more then 1,5 cm uneven.
Crap!
After some hesitation, where I tried to figure out how to fix the problem in the easiest way possible, I un-picked the stitches a few cm around the “to long” edge, and turned in the amount of fabric/collar needed to make it even. Then I hand stitched it closed again. That’s what you call cheating, but there was no way I would un-pick the whole collar, with the seam-allowence already cut and jacked.

I also needed to re-stitch the points of the darts a tiny bit lower, to get it to sit nicely over my stays.

Then I finished it up, by attaching the sleeves and adding hook & eye for closure.

It was around this point, when trying to iron the collar to lie nicely, I realized I’d totally forgot to make the the inner facing on the front edge.

Doh… 😦

That would explain the white lining peaking out way to much.
Serves me right, for not wanting to waste time or tracing paper on linings and facings, but simply using the main pattern pieces for everything.

Well not much to do then to use force (which meant several rows of stitches and a whole loot of steam) to try to get it to lie nice.

The finished Spencer:

All the facts:

Challenge: Nr 3/2017 “The great Outdoors”

What: a 1800-1830s Regency spencer.

How it fit the challenge: It’s a wool jacket meent to be worn outdoors. The color (and my accessories) also makes it perfect as a riding outfit.

Pattern: Laughing Moon 129 “Ladies wraping front Spencer”

Fabric and notions: 1,5 m burgundy colored wool, scraps of black wool, 1,5m white cotton for lining, thread, 2 pair of hooks and eyes.

How historical accurate: So so. The Pattern and material are all good, but it is made entirely by machine using modern construction techniques. Strictly speaking it would be a 5/10, but since people of the period wouldn’t notice the machine stitched seams unless they were rely close I say 8/10.

Time: About 6-7 hours. It took me a week to make du to needed to wait for baby to sleep, but I’m confident I could whip one up in less then a day if I could work without interruptions.

Cost: Everything came from stash, but bought anew it would have cost about 150-200sek (20Usd).

First worn: Late mars for photos.

Final thoughts: I love it! I felt so nice in it, and would love to wear it as a piece in my modern wardrobe (Hm, maybe it will work well with jeans and a t-shirt…). It was also very fun and fast to make, and I’m already thinking about making a few more.

Bonus pic of me (multitasking) trying to get some blogging done in between mock-up fittings.

Shirts for a Gentleman

Last fall, right before I hit the wall sewing wise I’d taken on one of my rare commissions (I don’t usually sew for others unless its totally on my terms).
But when my wonderful dancing master Sievert asked me if I could help him update his historical shirts I couldn’t say no.

He needed both a new medieval and a new regency shirt to use on our dance recitals.

So I got some nice cotton (I know linnen would be more accurate but I was to make them on machine anyway. And they needed to be easy to wash and care for), made some quick pattern calculations and cut the rectangles needed for both the shirts.

Then I stopped, put my head in the sand and closed my eyes to everything sewing/historical (because pregnancy can do that to you)

More then 10 months later (after the birth of my son, and then some), I was once more ready to tackle the shamefully late commission.

So after one intense week of sewing in between feedings, I managed to sew and deliver both shirts.img_0882

The process went pretty fast and straight forward except one little hiccup –
While putting the last hand on and pressing the Medievals shirt I noticed the seam allowance on the outside on one of the sleeves.

Meaning i’ve put it in inside out.

Crap!

So it was on to un-picking the french felled seam (with hand finishing:-( )
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I then turned the sleeve outside- in and re-attached it, pressed and once more used tiny hand stitches to fell the seam.

There done!

Or, wait a second…

NOOOOoooo!!!

I done the exact same mistake AGAIN!

Some of you might remember that I’ve done this before (on my Borgia chemise les then a month before).

How is it even possible that I didn’t learn?
By now I tossed the damned thing into the corner and went to sleep, debating with myself if I could leave it like that.
Of course I couldn’t – It was  a commission piece after all.

So bring back the seam ripper.

The only trouble was that these folded french seams needs really small seam allowance to look good, and the only way to achieve that is by trimming it after you stitched the first seam. This practice, and the fact I’ve done it wrong not one, but twice, meant that I cut of about 1,5 cm on the left shoulder compared to the right. Making the whole garment a bit of.

Once the sleeve was re-set, a third time, I quickly finished and packed the shirt away, out of sight.

The finished medieval shirt:img_0420

img_0388The final result after all the re-stitching.

img_0428Sleeve with ties

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Then it was time to get cracking on the Regency shirt.

This time I didn’t do the same mistake (Hurray!), and the shirt was finished in a few days.

The finished Regency shirt: img_0873

img_0878Metal buttons on a standing collar.

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The two shirts now at their new home.img_0884Lets hope he gets a lot of wear out of them.

Regency Apron – Photoshoot

For the photos of my new apron I wanted to try to copy the inspiration print s much as possible, and since I haven’t made the rest of the outfit, I picked some pieces from my existing costume wardrobe that would some what give the right look.

I’m wearing my white regency evening gown, regency stays, cap, fichu, mittens and a few different hats and bonnets (like my green silk 1860s, brown velvet 1840s) for props.

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Behind the scenesimg_2436

Regency Apron (HSM 1/2017)

Since my plan is to go for easy pieces this year (yeah, Erhm, sorry that ship’s already sailed) I decided to submit a lovely piece of clothing I started sometime this fall and only finished a little while ago.

Namely this pretty Apron:8b05963d5ee97df4f28e42f9f5f09e09I loved this print since I first saw it and been wanting to re-create it for quite some time.

The first thing I did was to dig up a piece of soft cotton satin in a lovely dark green color, which I scored for basically nothing at a flee-market a while back.
The fabric was only 1 m long but that was exactly enough.img_2191Some creative cutting (without piecing, Yay!)

img_2198I started by hemming the sides, and  bust “flap”, using my sewing machine, since sewing time is scarce at the moment.

Then I stitched and turned the tubes that was to become the shoulder straps.img_2200

The hardest part was to figure out the bust flap and the closing, since I wanted to be able to wear it in several different ways (Flap up/down, Straps straight/crossed at back)img_2228I ended up only attaching the flap at the “waist” so that it could either be folded down (hidden) or pinned to the straps if worn up.

Then I marked the buttonhole placement, and stitched them (using my machine). img_2232

I finished by adding the buttons, and a 10 cm wide piece of linen to the hem to give it some weight. img_2313

The finished apron:
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Bust flap down and crossed straps in back: img_2302

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Just the facts:

Challenge: 1/2017 “Firts & Last”

What: a Regency apron

How It fits the challenge: It would be one of the last pieces you put on before leaving the house/doing your chores. It’ also the my first venture into the late Regency/early Biedermeier but not my last since I now wish to make the whole outfit from the inspiration print.

Pattern: None, I drafted my own – It’s basically a trapeze with shoulder straps.

Fabric: 1 m green cotton satin and 15 cm white linen for hem binding.

Notions: Thread and buttons

Historical accurate: Besides from the machine stitching and maybe to “weak” fabric I would say it is pretty good. The shape is good and the construction is plausible. about 6/10

Time: About 4 hours – figuring out the construction took the longest time.

Cost: 30 Sek (3 Usd) – got to love those flee Market bargains.

First worn: Mid January for pictures

Final thoughts: I think it looks pretty good, and helps “dress down” my more fancy frocks in a pretty way.

Regency hairdo

I’d be the first to admit that I know nothing about hair – My own are really short and don’t need much attentions, and when I had long hair a couple of years ago, I just wore it in a ponytail or bun.

But with great costumes comes great hair styles… or something like that.

So today I will show you the hairstyle I did on my sister for the Regency ball.IMG_3406

The day before the ball she pinned her hair up in curlers while still wet, and then slept on it.
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The first thing to do was to remove all the hair pins. IMG_3746

And shake the hair out, using the fingers to get it really big and fluffy.IMG_3747

Then I gathered most of the hair in a ponytail, leaving some hanging in the front. Using the ponytail as a base I attached a hair doughnut to add some volume and structure to the do.
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I then twisted and pinned the rest of the hair up in messy curls IMG_3751

Lastly I added the golden headband and secured it with some boby-pins.
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The finished hairdo at the ball.

I could also have left some of the front hair curls hanging to get another effect.

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IMG_3415The finished hair do at the photoshoot.

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Peace of cake.

Regency Ball 2014

At long last the day of the Regency ball had arrived.
10425524_1004195869596971_6268147082631848256_nThe dance cards in shape of fans.
Photo credit: Helena Brodd.

The evening stared with mingle, chatting and everyone trying to flirt there way to a full dance card. IMG_3756

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Then we moved upstairs to the great hall to sit down for dinner.IMG_3772

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IMG_3762The awesome ladies I had o the table, Ms Berg and Helena Brodd.

IMG_3771Me and my sister at dinner.

Then it was time for the dancing.
And since I danced almost every dance I don’t have any pics of the acctuall dancing, but had to settle for some in between shoots.

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IMG_3789Oh, I swoon over all the handsome gentlemen…

IMG_3832Blurry dancing…

I between and in the dance breaks I did get some photos of lots of lovely dressed people.
10410439_1004058419610716_53117235616509123_nTwo dresses from the same fabric.
Photo credit: Helena Brodd.

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IMG_3827The king and Queen…
(Helena is wearing a replica of the Swedish court dress)

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IMG_3811Kodac moment

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IMG_3809Regency photo bomb…

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IMG_3795The sewing group.

IMG_3804Sewing group wedgie…

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IMG_3844Silly shoot.

Regency Sewing Course

This fall I’ve been knee deep in Regency – in a good way.

As preparations for the up-coming regency ball I was asked to teach a night class in historic sewing.

So in beginning of September we had the first class. I was really nervous, not at all sure about this period  and not knowing was the students were expecting.

IMG_3351Patterns.

Everything went smooth, and the students were very grateful and everyone helped in answering the more tricky questions, which made me really happy about all the combined knowledge in the group.

IMG_3656It seems even I got some time working on my dress between helping the others.

IMG_3652My sister working on her ridicule.

IMG_3342The last meeting was held just a week before the ball, and the theme were accessories.

bild 1Concentrating hard.

IMG_3347Carl’s pinning the lining for his waistcoat.

IMG_3349Anna is a happy camper stitching away on her mock up for a spencer.

IMG_3662Pernilla stitching on her gown.

IMG_3350Maud usuly does 18th century but have changed century for this ball.

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The day of the ball some of us was not quite finished…IMG_3724Sneaking out those needles during the water break in the dancing rehearsals

 And here comes some pics from the ball to show of everybody’s beautiful work.

IMG_3755Denise and Pernillas lovely green creations.

IMG_3810Paula and Carl shared and used the same sari for their outfits, and they both looked smashing.

IMG_3815Maud made her whole dress by hand, and did manadge to finish before the last minute.

IMG_3819Solveig made the dress for her daughter Othelia.

IMG_3821Clara in her light green dress and wonderful ridicule.
Hm, do I detect a color trend…

10799595_1007608945932899_1896436223_nAnna in her fabulous cream colored gown
(photo credit to Anna)

IMG_3801And Pose….

 I’m so proud of what everyone of you have accomplished, and you all looked fantastic at the ball.
I’ve learnt so much during our meetings and hope to continue this classes, now when we all are ready for some new challenges.

White Regency Evening Gown

For the upcoming ball, hosted by my dancing company, I knew I wanted a new gown.
After several hours on Pinterest, looking through dossins of beautiful fashion plates, I finally decided on a style.

1799-1800-dressesI used the left dress in this fashion plate as my inspiration.

Since time was sparce, I decided to use Simplicity 4055 instead of draping my own pattern.simplicity4055This may now be the pattern I made most garments from (my yellow regency gown, brown spencer/west, my sisters greecian goodes dress, and now this white evening gown).

I also had the perfect fabric in my stash. IMG_7086A white striped cotton voile, that started life as a pair of IKEA curtains.

I started by mocking-up the lining to get a foundation to build the rest of the dress.IMG_3675The neckline needed to be lowered a bit. It is after all a ball, and if there is ever a time to show some cleavage a ball must most definitely be it. IMG_3683

Then I cut the fashion fabric, making sure to get enough fabric into the front piece to get some nice gathering. IMG_3684I stitched the bodice together and basted it into the interlining before I gathered the front.

Then it was time for the next try on.
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The bodice fitted pretty good, and the wrinkles at the back comes from my boyfriends pinning me into it (sch, don’t tell him), and not from the back being to small as you would think.

After finishing up the bodice, I attached the skirt making sure to put most of the gathers at the center back.IMG_3702

The sleeves are regular pouf sleeves with a row of gathering stitches in the middle to create a double pouf.IMG_3703

And once again I needed to get help being pinned into the dress (see why I will never say anything about less then perfect pinning…)

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Since I didn’t had time to get hold of a long enough red ribbon to tie around the neck, crossed in back and under bust as in the fashion plate, I experimented wit a shorter red ribbon tied under bust.

I finished by attaching the sleeves, hemming the skirt and attaching the hook and eyes at center back.
I also decided to stitch on a ribbon under bust made from the same fabric – something I did at the location of the ball, just before getting dressed.

The finished dress:IMG_3871

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A pic from the ball of me wearing the dress, stylishly accessorized in burgundy and beads:IMG_3797

Just the Facts:

Challenge: nr 21 – Re-do. I choose to re-do challenge nr 9 – Black and White.

What: A white regency (year 1805) evening gown.

Pattern: I started with Simplicity 4055, but made quite a few changes to it.

Fabric: 3 m of white striped cotton voile from IKEA curtains. 0,5 m of white cotton for lining and interning.

Notions: Thread and 4 pair of hook and eyes.

How historical accurate: So so. The dress looks pretty good and the pattern are pretty authentic, but the construction are all modern with seing machine and bag lining. I would say about 6/10.

Time: I rushed the entire dress (starting only two nights before the ball) working the evenings after work, so I would say about 8 hours.

Cost: About 150 Sek (22 Usd)

First Worn: nov 8, to a Regency ball.

Final Thoughts: I really like it. The fit is good, and the dress looks both delicate and cool at the same time.
My only regret was not to have the time to make/buy the burgundy fabric/shawl that was to be draped across the shoulders and tied below the bust, as in the fashion plate.